Luca Guadagnino’s remake of Suspiria is opening in limited theaters this weekend, and fans of the 1977 original film’s stylish violence will have a lot to process when they emerge. At two-and-a-half hours long, the amount of gore in Guadagnino’s Suspiria is actually quite small, but when the brutality is presented it comes in marathon stretches — one of which is teased in the trailer, and features a woman’s jaw being popped out of place by an unseen aggressor.

Back to the Trap House debuted in 2007 at No. 57 on Billboard’s “Top 200,” selling fewer than 32,000 copies in its first week. My major-label debut was a dud. I knew those beats were not suited to my style. I’d taken too much outside advice. I should have stood up for myself and put out the album I wanted. The label planned on following the “Freaky Gurl” remix with “I Know Why,” featuring Pimp C, Rich Boy, and Blaze1 — the song Polow and I had been working on when he said Waka [Flocka Flame] was going to be a star.

In 2007, Thomas Bezucha was hired to rewrite and direct an adaptation of the Jules Bass novel Headhunters for Nicole Kidman, because Fox wanted something in the vein of his 2005 Sarah Jessica Parker hit The Family Stone. The book was about three suburban American women who visit Europe and pretend to be heiresses to snare rich husbands, and his marching orders were to make an adult comedy for Kidman and two other grown-up actresses: maybe Sandra Bullock?

Streamliner Presented by Streamliner Presented by For the last 18 months, “getting away from it all” simply consisted of turning on the TV to experience sun-drenched vistas. Despite the show debuting in 2013 and spawning not one (Below Deck Mediterranean) but two (Below Deck Sailing Yacht) spinoffs, 2020 marked the first time I, a viewer in the U.K., encountered the Bravo reality series Below Deck and entered the world of superyachts.

There’s a striking shot in the trailer for Django Unchained where a sharp-shooting Jamie Foxx blasts an evildoer off his horse, spraying the cotton fields with blood in extreme close-up. Consider that a mere appetizer, though, for the bloody feast that is the actual feature. In Quentin Tarantino’s Django world, characters don’t simply get shot and then bloodlessly slump to the ground; instead, they’re blasted backward as a gigantic (and chunky) crimson geyser erupts from their wound.

If your adorable fur baby ever slips out of the house to do some soul-searching — or mouse-hunting — please look both ways before crossing the street when you go looking for him. Nobody wants a Russian Doll–esque inescapable time-loop situation on their hands just yet. Despite only getting a few minutes of screen time, the feline star of Netflix’s acclaimed drama plays an integral role in the time loop that sucks Nadia Vulvokov (Natasha Lyonne) into death after death.

The extended Noodle Family includes, clockwise from upper left: Daveed Diggs, OG Bill Erwin (featuring Elmo), the late Michael Jeter, and Ilana Glazer. This is what happens when Mr. Noodle demonstrates how to eat a banana. First, he does the ol’ banana-as-a-telephone. Then, he tries to play the piece of fruit like a horn. Next, he stands at a desk, pulls a tiny lamp out of his baggy pants, and begins to dip the banana in ink to write with it.

“I almost cried because it was so beautiful.” Photo: Allyson Riggs/Hulu The debut season of Hulu’s Shrill is brief — only six episodes, each 30 minutes long — but it’s the kind of story that lingers, leaving behind images that pop up in the mind well after the last of its 180 minutes has ended. One day, it’s the aggression of Toned Tanya, or Lamar’s mixtape of songs “to smash to.

Luke and Laura’s wedding on General Hospital. The Story of Soaps, which premieres Tuesday at 9 p.m. Eastern on ABC, is a rare example of a broadcast network bankrolling scholarship that also happens to be entertaining. Moving back and forth through nearly a century’s worth of media, this is a real documentary, not just a cynical repurposing of one network’s intellectual property. It covers the evolution of daytime soaps on rival broadcast networks as well as ABC, plus the radio soaps that preceded them and the nightime soaps (notably CBS’ Dallas and ABC’s Dynasty) that followed.

In the history of The Great British Baking Show, there’s never been a formidable baker quite like Steph Blackwell, who took home not two, not three, but four Star Bakers for her stunning creations this season. However, just like an overcooked custard turning into scrambled eggs (and not in a fun Frasier way), Blackwell didn’t walk away from the tent as the ultimate winner, thanks to an underwhelming final two episodes that found her on the brink of tears: Her last showstopper was so poorly received, it led to Paul Hollywood hugging her after his criticisms.