Artist Toby Froud, son of fantasy illustrator and original Dark Crystal collaborator Brian Froud, worked alongside his father to help expand Age of Resistance’s world of Thra. To understand what Dark Crystal: Age of Resistance is, it helps to first understand what it might have been. Watch the informative documentary The Crystal Calls — Making The Dark Crystal: Age of Resistance, which premiered on Netflix alongside the new series, and you’ll receive a striking glimpse of a road not traveled.
THE FOSTERS - “Mother” - The Fosters face an unforeseen tragedy in a new episode of “The Fosters,” airing Monday, July 21 at 9:00 p.m. ET/PT on ABC Family. (ABC FAMILY/Ron Tom) TERI POLO, SHERRI SAUM Every week, The Fosters finds a new way to make me cry — often through empowering love, sometimes through supportive honesty. This week’s big tearjerker caught me by surprise, though, because it’s something very rarely depicted on television: The Fosters included a late-term abortion, and it was really damn sad.
Mary Reber as Alice Tremond. Do you know what happened at the conclusion of Twin Peaks: The Return? If you do, feel free to tell us. Because what we do know only adds to the mystery surrounding those final few moments: Mary Reber, the current, actual homeowner of the Palmer residence in Everett, Washington, portrayed the fictional homeowner Alice Tremond in the last scene, where she matter-of-factly informs Agent Cooper and Carrie Page that the Palmer family never resided in the home.
With his new movie Captain Fantastic, director Matt Ross — whom you might know better as Gavin Belson on Silicon Valley — asks a provocative question: What if, instead of letting kids eat from the endless sugar trough and stare at the omnipresent screens of modern childhood, a couple of parents went out into the wilderness and raised them away from the corrupting influence of society? And what if they did this not as a lark or an intellectual experiment, but as an honest-to-goodness way of life?
So you’re funny around the water cooler, huh? You think you got what it takes to make it big in showbiz? Well, take some notes and listen closely, because you’re about to get some tips that’ll help you make the big time in this breakneck industry.
A little about me: I’ve been a comedian, entertainer, and club owner for 25 years, and I’ve performed alongside some of the BIGGEST names in comedy.
The thing about a creature feature is: You expect to see the creature. In J.D. Dillard’s latest film in the genre, Sweetheart, you technically do catch sight of a monster, but the director takes a very J.J. Abrams–esque approach to the reveal. His creature, which appears to a young woman named Jenn (Kiersey Clemons) while she’s stranded on an island, exists mostly in the shadows and out of focus.
In the world of professional wrestling, shoot is a term for a performer going off script — usually in a very bad way. When CM Punk, star of three-year-old wrestling promotion AEW, decided to start hurling insults at AEW management during a press conference in September and followed it up with a very real locker-room altercation, it was a shoot — one that would get Punk indefinitely suspended and his AEW World Championship title vacated.
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Do you hate your life? Are you constantly wishing you could inhabit someone else’s body? Do you have mystical skulls or ancient talismans just sitting around? Have you ever wanted to look in a mirror and be surprised to see someone else’s face? If you answered yes, then body-swapping may be for you! So often seen in Hollywood and so rarely experienced in real life, the act of swapping bodies isn’t nearly as hard as it seems, so long as one heeds, extremely precisely, the lessons taught in body-swapping movies, the latest of which is this weekend’s Ryan Reynolds–Jason Bateman two-hander The Change-Up.
Torres. Six nude women sit by a pool, each with an album cover painted across her back, each facing away from the camera: anonymous, obscured. Commissioned by EMI in 1996 to advertise Pink Floyd’s back catalogue, the image soon became ubiquitous in record stores and dorm rooms alongside photographs of Kurt Cobain wearing sunglasses and Jim Morrison striking a Christ pose. Pink Floyd’s Back Catalogue poster crystallized the trope of using naked women to sell records even as it flipped it: Instead of slapping naked women on an album cover, photographer Storm Thorgerson printed album covers on naked women.